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On Beginnings

How Escapism Led Me To Writing

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On Beginnings
Coty Poynter

Every now and again, we’ve to look back to our past and consider the lives we’ve lived. Up to this point, overall, I’ve not lived a bad life. Yet, who I am today stems from the moments of my life that I didn’t wish to face, whether it be due to pain, anxiety, or the desire to be elsewhere.

Growing up I had the good fortune of being part of a family who took great pleasure in vacationing. They didn’t vacation for the adventure of traveling, but rather for the indulgence of escaping a ordinary life.

It was never the destinations that drove them to a location; local culture, history, and art did not interest them. Instead, it was the prospect of complete service. The idea that they could spend money upfront to have others care for them. At least, when I think back to it, this is how it seemed to be.

Every now and again they’d sign us up for an excursion, but most of these vacations were spent around the pool, with me fetching them drinks, over-eating at the buffet, and sleeping.

Over the years, when the number of family-friends who joined in climbed, we started looking into different resorts, but the similar areas. For me, most of the time, I was on my own during these vacations to Mexico.

Being the youngest, I had to find ways to entertain myself, to get away from the feeling of being an outsider. Aside from being the youngest, I was a shy, heavy-set child. To do something alone was terrifying, yet to sit around the pool and watch all others laughing and becoming drunk would worsen that sense of not belonging.

I suppose I should’ve added that I began reading at a young age. Not necessarily because I wanted to, but because I was told it would help with my speech—for a number of years in elementary school, I was part of the speech therapy program. Through reading, I found a kind of pleasure in the act of fantasizing the material. Like many other children, I would daydream constantly, and I found that reading only served to deepen those daydreams. In a way, I read to bring about more intricate, enjoyable dreams.

It’s hard to pinpoint exactly when all the anxieties begin in life. When did walking into a room of strangers become terrifying? When did the shaking in my hands, the sensation of my body locking up begin? When did my dreams become nightmares?

At some point in my childhood, things changed. Fears began. Shame started to grow within me. Things that I had found joy in seem to lose the appeal they once had. Dreaming became a frightful act of violence. My subconscious had seemingly turned on me, and night after night I tried to stay awake, to keep away from dreaming. This was the time that night terrors began.

During these years, I stopped reading. Before, before the terrors, I would record my dreams down in a notebook. Now, I tried to keep away from them. Most nights when I’d sleep over at friends, I’d wake in the middle of the night, crying, demanding to go home—the only place I thought of as comforting.

It was also during these years where I began playing video games, and it was through video games where I found pleasure in escaping the present. It was a means to live a life that was not my own, yet, in some aspect, was my own. After all, I was the mind behind each character I played through as, guiding them through their world. I had become a hand of fate to these fictitious characters.

With the ongoing divorce of my parents, and the hard move away from my childhood home—a house that I always said I’d never leave—this is how I spent a large portion of my teenage years: hiding away in digital realities.

When I was nineteen, after working a year in a UPS warehouse, I landed a job at Barnes & Noble. They hired me because of my experience in that warehouse. Not due to my background or remote love for literature. In short, I had no idea what literature even was. I was in community college at the time, on academic probation for nearly flunking the spring semester. Life wasn’t what I thought it would be. All my close friends were away at universities, and I was struggling with community college, working at a Barnes & Noble for extra money.

The feeling of being an outsider was, perhaps, a feeling that never truly left me. There were numerous times, early in the morning, as I stocked the book aisles, when I’d think back to those days of my youth spent on vacations with my family, about the time wasted hiding away in video games, about the night terror—which were returning at this age after years of calm. I was nineteen, and I didn’t know who I was, or what I was supposed to do.

One day, relatively early on in my days at Barnes & Noble, I was shelving fiction books. I flipped through the first pages of the books I had heard about in high school—Slaughterhouse-Five, Frankenstein, Catcher and the Rye. After that shift, I bought three books. Among those three books was The Alchemist.

I didn’t know anything about it, or Paulo Coelho, only that a friend I worked with at that time, Janna, highly recommended it. It was in that book that I started discovering the wonders of language, the light that’s tucked between the pages. It was The Alchemist that allowed me to escape, yet with a purpose.

The next morning, after finishing the novel, I sat down beside the fireplace of my home at the time, opened a blank page, and began writing for myself. It was with these first lines, which grew into one of my first short stories, that taught me who I am, what I am, and how to become that which we’re meant to become.

Often the world works against us. However, every now and again, we manage to remain quiet enough to hear its whisper ushering us into a specific direction, towards the light that remains at a distance in the dark.

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